Ho was at home this evening, though his home was his own, and a house not a flat. It was an odd house, though that was none of his doing: it had been odd when he’d bought it. Its oddness lay in its upstairs conservatory; a glass-roofed, tiled-floor mezzanine. The estate agent had made much of this feature, pointing out the array of plants that created a micro-climate there; natural and green and eco-whatever peppering her spiel. Ho had nodded like he cared, calculating how many electronics he could fit into here once this eco-shit was off the premises. Quite a lot had been his estimate. This turned out to be the precise exact amount.
— Slow Horses (Mick Herron), Loc. 1269-75